| Document Date: 2009-07-06 05:42:36
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City Porto / Madrid / Montreal / Banff / Paris / Belfast / Marseille / / Company Orchidée / BBC / International Computer Music / / Country France / Canada / Spain / / Currency USD / / / Facility Centre Pompidou / Yale University / / IndustryTerm computer music systems / composition systems / time-efficient evolutionary orchestration algorithm / real-time audio processing techniques / sound analysis tools / computer-aided orchestration tools / live electronics / orchestration tool / electronics / orchestration algorithms / / Organization Scottish Orchestra / Yale University / Grégoire Carpentier Ircam-Centre Pompidou / / Person Camilo Rueda / Malherbe / Mantra / Grégoire Carpentier / Steve Mithen / Mikael Laurson / Modest Mussorgsky / Gérard Assayag / Ali Momeni / Olivier Warusfel / Jonathan Harvey / Axel Roebel / Adrian Freed / Jean Bresson / Carlos Agon / Leslie Kearney / Gilbert Nouno / Matthew Wright / Arshia Cont / Diemo Schwarz / Jean-Marc Jot / Norbert Schnell / Clarence Barlow / Jonathan Harvey Composer / O. Delerue / / Position composer / commercially available Melodyne editor / player / conductor / musician / / PublishedMedium Computer Music Journal / / Technology evolutionary orchestration algorithm / virtual reality / orchestration algorithms / MIDI / / URL http /
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MAKING AN ORCHESTRA SPEAK Gilbert Nouno, Arshia Cont, and Grégoire Carpentier Ircam-Centre Pompidou {nouno,cont,carpentier}@ircam.fr ABSTRACT This paper reports various aspects of the computer music