Washington D.C. / New York / Sydney / Paris / Cambridge / Melbourne / London / Durham / /
Company
Duke University Press / Columbia University Press / MIT Press / Lustrum Press / Yale University Press / Wolseley / Clarendon Press / Oxford University Press / /
Continent
Africa / /
Country
South Africa / United States / Australia / United Kingdom / Wales / /
Facility
Eden complex / Albany Institute of History / State University of New York / /
IndustryTerm
reproductive technologies / photographic technology / energy / /
NaturalFeature
Alps / Franklin River / Hudson River / /
Organization
Columbia University / State University of New York / Albany / MIT / Royal Academy / Freemasonry / Yale University / Duke University / Albany Institute of History & Art / Oxford University / Royal Society / /
Person
Harry N. Abrams / Robert R. Wark / Julia Kristeva / Jeffrey S. Lirett / Thomas Cole Drawn / Joshua Reynolds / Thomas Cole Landscape / Paul Carter / Jean-Philippe Antoine / Hal Foster / Bernard Smith / William H. Truettner / Thomas Coles / Elizabeth Grosz / Hamish Fulton / Gerhard Richter / Charles Darwin / Slavoj Zizek / Tim Bonyhady / Richard Howard / Jacinto Lageira / Andy Goldsworthy / John Wolseley / Alexander Humboldt / Thomas Cole / Gary Snyder / Peter Dombrovskis / John Wolseley Land Marks / Andy Goldsworthy Ian McLean / /
Position
Tasmanian environmentalist photographer / arbiter / Craftsman / artist / influential advocate / painter / eco-artist / contemporary artist / inaugural President / critic / /
ProvinceOrState
New York / /
PublishedMedium
New Worlds / Mother Earth / The Australian Weekend Review / /
Region
South Pacific / Middle East / West Tasmania / South Eastern Asia / Eastern Europe / Mediterranean / /
1 Sublime Futures: eco-art and the return of the real in Peter Dombrovskis, John Wolseley and Andy Goldsworthy Ian McLean