Paris / Honolulu / Hanoi / Marseille / Phuong Duc / Boston / Cambridge / Copenhagen / /
Company
Xua / L’Argus / Nguyen Van Vinh / Harvard University Press / La Collection Universités Francophones / Annamese / /
Country
France / Republic of Vietnam / Laos / Vietnam / /
Event
Judicial Event / Business Partnership / Person Travel / /
Facility
port of Haiphong / Nordic Institute of Asian Studies / University of Paris VII / University of Hawaii Press / University of California Press / prison of Poulo Condor / /
IndustryTerm
printing press / propaganda tool / printing house / early / historical magazine / /
Organization
French government / House of Representatives / League of Human Rights / French Ministry of the Francophonie / Vietnamese Society / University of California Press / Nordic Institute of Asian Studies / Harvard University / Vietnamese Communist Party / Tonkin Free School / Phan Boi Chau’s association / Tri Tri School / Ecole Coloniale / French administration / University of Hawaii Press / /
Person
Gilles de Gantès / Louis Caput / Henri de Monpezat / Nguyen Van Vinh / Van Hoc / Cam Zinoman / Pierre Brocheux / de Montpezat / Félicien Challaye / Richard Féray / David Marr / Chi Minh jusqu’en / M. Pham Huy Luc / William Duiker / Agathe Larcher-Goscha / Ban Tre / VAN VINH / Neil Jamieson / Alexander Dumas / Shawn McHale / Trang Gaspard / Alexander Woodside / Marc Casati / Andrew Hardy / Pham Duy / CHRISTOPHER E. GOSCHA / Albert Sarraut / Ernest Babut / Maurice Durand / Peter Zinoman / Kim Van Kieu / A. Clémenti / Bernard Hue / Victor Hugo / Claire Duiker / Daniel Hémery / Van Hoc (Saigon) / Hue Tam Ho Tai / Chi Minh / Van Ky / Michelet Hugo / Francis de Pressensé / M. Nguyen Van Vinh / /
Position
President / poor rickshaw driver / secretary / entrepreneur / Governor-General / controversial poor player / director and founder / journalist and translator / chef / poet / journalist / writer / greatest writer of our time / /
EJEAS 3.1. Proef:14.51, page 1. ‘THE MODERN BARBARIAN’: NGUYEN VAN VINH AND THE COMPLEXITY OF COLONIAL MODERNITY IN VIETNAM CHRISTOPHER E. GOSCHA*