The Blind Man / Houghton Mifflin Co. / Random House Inc. / Universal City Studios Inc. / Henry Holt & Co. / Mattel Inc. / Paramount Pictures Corp. / Sony Corp. of America / Suntrust Bank / Publishers Inc. / Penguin Book USA Inc. / Acuff-Rose Music Inc. / Donaldson Lithographing Co. / /
Country
United States / /
Facility
United States Court of Appeals / San Francisco Museum of Modern Art / University of California / /
IndustryTerm
property theories underpinning copyright law / copyright law / advertising copy / case law / creative product / law precedent / avant-garde magazine / law creation / /
NaturalFeature
Mountain Prods / /
Organization
Supreme Court / School of Law / University of California / Berkeley / United States Court of Appeals / Congress / UN Court / /
Person
R. Mutt / Neil Netanel / WILLIAM F. PATRY / CLARK L. REV / Pierre Leval / Alfred Stieglitz / Mary Wong / Prince / DAVID NIMMER / NANCY SPECTOR / Barton Beebe / Laura Heymann / Pamela Samuelson / Marcel Duchamp / Jonathan Francis / Jeff Koons / R. Anthony Reese / Robert Rauschenberg / JOHN DOGG / JACK BANKOWSKY / Sherri Levine / Richard Prince / Andy Warhol / Pierre Laval / Martin Gayford / /
Position
original artist / Harper / modern photographer / author / Prince / artist / Judge / /
ProvinceOrState
California / /
PublishedMedium
BERKELEY TECHNOLOGY LAW JOURNAL / THE TELEGRAPH / /
ON APPROPRIATION: CARIOU V. PRINCE AND MEASURING CONTEXTUAL TRANSFORMATION IN FAIR USE Jonathan Francis† Oliver Wendell Holmes once wrote: “It would be a dangerous undertaking for persons trained only to the law to c