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Art movements / Socialist Federal Republic of Yugoslavia / Serbian culture / Slobodan / Serbia / Modernism / Belgrade / Europe / Slavic / Miloš Crnjanski


Serbian Modernism through Post-Yugoslav Eyes: Milisav Savić’s Scars of Silence Slobodanka M. Vladiv-Glover
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Document Date: 2009-02-12 00:22:08

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City

Berlin / Belgrade / London / /

Company

M and S / Whitman / /

Continent

Europe / /

Country

Croatia / Slovenia / Serbia / Turkey / Bosnia and Herzegovina / Australia / Yugoslavia / /

Event

Person Communication and Meetings / Person Travel / Employment Change / /

Facility

The Bridge / Silence Slobodanka M. Vladiv-Glover Monash University / /

NaturalFeature

Lake of Despair / /

Organization

Tito’s government / EC / Russian Natural School of Aesthetics / North American Society for Serbian Studies / Monash University / Royal Yugoslav government / European Union / /

Person

Vida / Pyotr Verkhovensky / Stepan Trofimovich son / Milisav Saviç / Branimir ·çepanoviç / Svetozar Markoviç / Danilo Ki / Borisav Pekiç / Edward Munck / Miroslav KrleÏa / Milica / Ivo Andriç / M. Vida Crnjanski / Milorad Paviç / /

Position

investigator / editor / poet / Postmodern writer / arbiter / Kafkaesque investigator / Maid / postYugoslav writer / middle-aged nurse / writer / Major / representative / narrator-author / /

ProvinceOrState

Kosovo / /

PublishedMedium

Politika / after the Battle / /

Technology

condensation / /

SocialTag