New York / Guangzhou / Wuhan / Nanjing / London / /
Company
Columbia University Press / Cambridge University Press / Timezone 8 Limited / Chinese University Press / Princeton University Press / Rizzoli International Publications Inc. / Ames / /
Country
China / /
Event
Person Communication and Meetings / /
Facility
Orchid Pavilion / Red Mansion / State University of New York Press / Guangdong Museum of Art / /
IndustryTerm
mastered tool / e-critiquelunwen / representational media / /
Organization
Cambridge University / State University of New York Press / Columbia University / Princeton University / Hubei Fine Arts Publishing House / Communist party / /
Person
Zhu Tong / Wang Meiling / Jerome Sans / Qiu Zhijie / Guo Xiaoyan / Mao Zedong / Dorothea von Hantelmann / Rebecca E. Karl / Susan Bush / Xu Fuguan / Joseph S.M. Lau / Dominique Gonzales-Foerster / Jennifer Dorothy Lee / Birgit Hopfener Qiu Zhijie / Christian Murck / Wang Xizhi / Zhi Jie / Joseph Beuys / Wang Huangsheng / Jean Francois / Karl Albers Freiburg / Thomas P. Kasulis / Carsten Höller / /
Position
artist / curator / curator / teacher / literati artist / emperor / artist / artistic author / contemporary experimental artist / copying artist / specific artist / /
ProvinceOrState
Illinois / New York / Hubei / Guangdong / /
PublishedMedium
The Drama Review / Archaeology / New York Press / /
Qiu Zhijie’s self-conception as an artist – doing art in a critical historical and transcultural perspective Dr. Birgit Hopfener Qiu Zhijie’s claim that ‘art must transform life’1 is at the heart of his self-c