Bristol / Stockholm / Tokyo / Munich / Amsterdam / Buenos Aires / Boston / New York / Düsseldorf / Berlin / Cologne / Antwerp / Cambridge / Los Angeles / Frankfurt / Glasgow / London / /
Company
October Magazine Ltd. / MIT Press / Harvard Business School Press / /
Continent
America / Europe / /
Country
Thailand / Canada / United Kingdom / Ethiopia / Germany / United States / /
Currency
EUR / /
Facility
Japanese pavilion / Clare Copley Gallery / Tiravanija’s Utopia Station / Jorge Pardo’s Pier / Portikus Gallery / Whitechapel Art Gallery / Cinema Liberté / Massachusetts Institute of Technology / /
IndustryTerm
construction site / gas burners / food / bank / cultural products / steel / emancipatory site / food packets / provisional solutions / /
Movie
Sense and Sensibility / /
MusicGroup
U.S / Flux / Liam Gillick / /
NaturalFeature
Discussion Island / /
Organization
Massachusetts Institute of Technology / Harvard / /
Person
Nicolaus Schaf / Christine Hill / Barbara van der Linden / Wisdom / Joseph Pine II / Mike Dawson / Donald Judd / Maria Lind / Rirkrit Tiravanija / Daniel Spoerri / Dada Fair / Allan Ruppersberg / Marcel Duchamp / Marcel Broodthaers / Janet Kraynak / Liam Gillick / Hudson / Lewis Kachur / Gordon Matta-Clark / Carsten Höller / Rosalind Krauss / Apolonia Sustersic / Hans Ulrich Obrist / Jerry Saltz / Tobias Rehberger / Francois Curlet / Dan Graham / Tom Marioni / Philippe Parreno / Michael Asher / Hal Foster / Carin Kuoni / Bruce Nauman / Vanessa Beecroft / Nicolas Bourriaud / Pierre Huyghe / Molly Nesbit / Susanne Gaensheimer / Jorge Pardo / Maurizio Cattelan / Ilya Kabakov / Hou Hanru / Dominique Gonzales-Foerster / Pierre Joseph / Jerôme Sans / CLAIRE BISHOP / Joe Scanlan / Michael Lin / Andy Warhol / /
Position
arbiter / director-curator / art critic and curator / curator / programmer / editor / Speaker / critic / artist / director / /
Antagonism and Relational Aesthetics CLAIRE BISHOP The Palais de Tokyo On the occasion of its opening in 2002, the Palais de Tokyo immediately