<--- Back to Details
First PageDocument Content
Culture / Klaus Biesenbach / Marina Abramović / Seven Easy Pieces / Museum of Modern Art / MoMA PS1 / Tehching Hsieh / Tino Sehgal / Roselee Goldberg / Performances / Art history / Arts
Date: 2013-05-31 11:42:52
Culture
Klaus Biesenbach
Marina Abramović
Seven Easy Pieces
Museum of Modern Art
MoMA PS1
Tehching Hsieh
Tino Sehgal
Roselee Goldberg
Performances
Art history
Arts

  Kino, Carol. “Rebel Form Gains Favor. Fights Ensue.,” The New York Times, March 10, 2010. By CAROL KINO Published: March 10, 2010

Add to Reading List

Source URL: prod-images.exhibit-e.com

Download Document from Source Website

File Size: 1,14 MB

Share Document on Facebook

Similar Documents

conference  MUSEUM RELOADED  ? 28 November 2013, Cafe Moskau, Berlin  MUSEUM RELOADED  ?

conference MUSEUM RELOADED  ? 28 November 2013, Cafe Moskau, Berlin MUSEUM RELOADED  ?

DocID: 1rtzT - View Document

Klaus Biesenbach Director, MoMA PS1 Chief Curator at Large, The Museum of Modern Art Klaus Biesenbach is Director of MoMA PS1 and Chief Curator at Large at The Museum of Modern Art, and Founding Director of KW (KUNST-WER

Klaus Biesenbach Director, MoMA PS1 Chief Curator at Large, The Museum of Modern Art Klaus Biesenbach is Director of MoMA PS1 and Chief Curator at Large at The Museum of Modern Art, and Founding Director of KW (KUNST-WER

DocID: 1fA1L - View Document

Microsoft Word - Curator Bios

Microsoft Word - Curator Bios

DocID: 19IDQ - View Document

WARM UP 2015  © MoMA PS1, 2014. Photo: Charles Roussel Warm Up 2015 MoMA PS1 courtyard Saturdays, June 27–September 5, 2015

WARM UP 2015 © MoMA PS1, 2014. Photo: Charles Roussel Warm Up 2015 MoMA PS1 courtyard Saturdays, June 27–September 5, 2015

DocID: 19noi - View Document

Rania Stephan Rania Stephan (Lebanese, bhas been working with film for the last two decades. Stephan’s body of work may at first appear perplexingly heterogeneous—ranging from video art to raw documentary—y

Rania Stephan Rania Stephan (Lebanese, bhas been working with film for the last two decades. Stephan’s body of work may at first appear perplexingly heterogeneous—ranging from video art to raw documentary—y

DocID: 1967M - View Document