Madrid / San Francisco / Puebla / Paris / Philadelphia / Watertown / Vienna / AFTER INDEPENDENCE / Florence / SECONDA PRATICA / Mexico City / Boston / New York / Venice / Rome / London / /
Company
COPLAND’S MUSIC / Isabelle de Bavière / Henry IV / /
Continent
America / AMERICAS / /
Country
Egypt / France / United Kingdom / Israel / Wales / Mexico / United States / Syria / French / /
Event
Judicial Event / Person Travel / Diplomatic Relations / Business Partnership / /
Facility
OPERA AND POLITICS Jane F. Fulcher / opera Macbeth / TO SCHELOMO Klára Móricz University of California / TRUFFAUT’S REUSE OF JAUBERT’S FILM SCORES Mark Brill University of California / University of North Carolina / John Koegel University of Missouri / University of California / Italian opera / Anne L. Seshadri University of California / GODARD’S CARMEN AND BEETHOVEN’S CINEMATIC FATE Christopher Reynolds University of California / Sutro Library / PROBLEM OF POLITICS IN EIGHTEENTH-CENTURY OPERA Suzanne Aspden Robinson College / Library of Congress / Anthony Newcomb University of California / /
Holiday
thanksgiving / /
Movie
JEZEBEL / BEETHOVEN / Hangmen Also Die / /
MusicAlbum
Italian / /
MusicGroup
Harlequin / /
Organization
Cambridge University / SCHELOMO Klára Móricz University / TRUFFAUT’S REUSE OF JAUBERT’S FILM SCORES Mark Brill University / Princeton University / Indiana University / Eastman School of Music / Duke University / PROBLEM OF POLITICS IN EIGHTEENTH-CENTURY OPERA Suzanne Aspden Robinson College / Anne L. Seshadri University / University of California / San Diego / Brandeis University / Ferrarese court / University of California / Berkeley / Florentine court / Beethoven’s Ninth Symphony / Tulane University / University of Missouri / Columbia / Yale University / Congress / Seton Hall University / reflected / Opera of the Nobility / University of California / Davis / Anthony Newcomb University / John Koegel University / University of North Carolina / Chapel Hill / University of California / Los Angeles / Diana R. Hallman University / Third Church / Swarthmore College / /
Person
Maurice Jaubert / Moses Mathers / Ernest Bloch exemplified / Andrea Gabrieli / LUCA MARENZIO / de la Nación / Erik Satie / Once Salome / Jean-Luc Godard / Richard Heuberger / Robert Godet / Virginio Orsini / Oscar J. Fox / Adele H. Truffaut / Reinhard Heydrich / Jean Cocteau / François Truffaut / Felix Mendelssohn Bartholdy / Peter Kreuder / Felix Mendelssohn / Marcel Carne / Nadia Boulanger / Whereas Mendelssohn / Henry IV / Susan McClary / Charles VI / Fritz Lang / Jessica Burr / Giovanni Maria Nanino / ERNEST BLOCH / John Lomax / Prince / Milhaud / John Lord Hervey / Adolf Bernhard Marx / Luigi d’Este / Poulenc / William IV / Samuel Williams / S. Chamberlain / Laura Macy / William Gordon / Hitler / Edmond Fleg / Ralph P. Locke / John White / George II / Jacobo Sannazaro / Samuel Langdon / Alan Lomax / Jean Vigo / Caleb Ashworth / Royal / Nancy Perlo / Alfred Einstein / Victor Hugo / François Guizot / Richard Strauss / Hanns Eisler / James Haar / Auric / Hans Albers / Chapel Hill / /
Position
Archivo General / composer / radical preacher / ambassador / King / lm composer / Assistant / Queen / collector / narrative model / translator / foreign minister / Princess / prince / ne composer / lm composer and a critic / Chair / musician / songwriter / popular songwriter / /
ProvinceOrState
Missouri / California / Kentucky / North Carolina / /
Thursday afternoon, November MUSIC AND JEWISH IDENTITY Michael Marissen, Swarthmore College, Chair “FOR YOU HAVE BEEN REBELLIOUS AGAINST THE LORD”: THE JEWISH IMAGE IN MENDELSSOHN’S MOSES AND MARX’S MOSE