MOMA / Canberra / Melbourne / Perth / Adelaide / New York / Sydney / San Francisco / /
Company
Sidetrack Performance Group / San Francisco’s Survival Research Laboratories / Emil Goh / Anthony Steel / /
Country
Japan / Australia / /
EntertainmentAwardEvent
the Wall; Mardi Gras Film Festival / /
Event
Person Travel / /
Facility
Club Swing / Rex Cramphorn Studio / IHOS Opera / Sydney University / Chamber Made Opera / /
IndustryTerm
electronic media / media commentators / arts media / /
Movie
Free Willy / /
Organization
Heidrun Löhr Centre / Hybrid Arts Committee / Sydney University / Chamber Made Opera / Australian Centre for the Moving Image Photos / IHOS Opera / Australia Council / /
Person
Ian Maxwell / Rea / Sue Ellen Kohler / Gena Rowlands / Elena KatzChernin / Rose English / Derek Kreckler / Mackenzie Wark / Adam Cullen / Nicholas Tsoutas / Anne Graham / Wesley Enoch / Pascal Bonitzer / Angie / Deacon / Karen Finley / Julie-Anne Long / Peta Tait / Peggy Phelan / Larissa / Lesley Stern / Jon Rose / William Forsythe / Nigel Kellaway / Ljubisa Ristic / Sandy Edwards / Sarah de Jong / Wynne Jones / Linda Sproule / Adrian Martin / Stevie Wishart / Heidrun Löhr / Robyn Archer / Louise Curham / Sarah Miller / Jane Goodall / Victoria Lynn / /
Position
digital artist / theatre director / film critic / photographer / Director / Creative Development / /
The 90s are an astonishingly rich time for the arts, a richness barely acknowledged. The quality, diversity, and proliferation of work, the ragged beginnings of effective national touring, the burgeoning work of performa