Piscator / MIT Press / The Macmillan Press / DV8 / Ge / Théâtre de Complicité / Princeton University Press / Ford / Wyndham / Volcano Theatre / The Penguin Press / New Media Technologies / /
Continent
Europe / /
Country
France / United Kingdom / Singapore / /
Event
Man-Made Disaster / /
Facility
Opera Sextronique / University of Exeter / Blast Theory’s arena / Nottingham University / /
IndustryTerm
abortion law / technological devices / interactive media theorist / interactive banking / oil / interactive media artists / use technology / /
Organization
MIT / Princeton University / University of Exeter / Nottingham University / Central School of Speech and Drama / Blast Theory / Society of the Spectacle / Mixed Reality Lab / /
Person
Martin Flintham / Daniel Rovai / Tracey Emin / Tea Ceremony / Nam June Paik / Gabriella Giannachi / Maurizio Capra / Martin Heidegger / Steve Dickson / Graham Ley / John Cage / Matt Adams / Damien Hirst / Brenda Laurel / Herbert Marcuse / Erkki Huhtamo / Rachael Whiteread / Natasha Lushetich / Alan Kaprow / Guy Debord / Jens F. Jensen / Charlotte Moorman / Nick Tandavanitj / Hudson / Erwin Piscator / Augusto Boal / Allen Lane / Ju Row-Farr / Erik Buitinga / W. Lovitt / Thatcher / George Brecht / Adelaide Thinkers / /
Position
artist-curator / Harper / author / media archeologist / King / Governor / artist / Professor / pioneering researcher / visual artist / /
BLAST THEORY THE POLITICS AND AESTHETICS OF INTERACTIVITY Submitted by Natasha Lushetich to the University of Exeter as a dissertation towards the degree of Master of Arts by advanced study in Theatre Research, 2007