San Francisco / Austin / New York / Oxford / Tokyo / Zurich / Eindhoven / /
Company
Survival Research Laboratories / Deca / New York University Center / Philips / /
Continent
Europe / /
Country
Netherlands / Poland / United States / United Kingdom / /
Currency
USD / / /
Event
Business Partnership / /
Facility
Judson Hall / Ricco/Maresca Gallery / Tamura Gallery / Art Institute of Chicago / Komai Gallery / Galatea-a statue / Robot Opera / /
IndustryTerm
electronic media / hybridizerobotswith other media / electronic and photonic media / Web upload / responsive electronics / on-line chat system / software-based parametricbehaviorwith physical presence / telecommunications / information technology / electronics / wheelchair-mounted wireless camera / Web telepresence FIG / manufacturing / telecommunications systems / /
Movie
sSquat (1966) / and EdwardIhnatowicz / Metropolis / Mary Shelley's Frankenstein / R.U.R. / /
Organization
New York University / School of the Art Institute of Chicago / College Art Association / Ruskin School of Drawing and Fine Art / Robot Opera / /
Person
Ridley Scott / Jasia Reichardt / George Bekey / John F. Kennedy / Isaac Asimov / Joseph Santarromana / Ken Rinaldo / Ulrike Gabriel / Nam June Paik / Emily Hartzell / Bill Vorn / Anita Duquette / Ichiro Kato / Margot Apostolos / Fred Wilcox / Harve Bennett / Steven Gentner / Martin Spanjaard / Mark Pauline / Johanna Drucker / George Hirose / Louis-Philippe Demers / George Lucas / Karel Capek / Ken Goldberg / Gustav Meyrink / Irwin Allen / Simon Penny / Annick Bureaud / William Anastasi / Antiinez Roca / EDUARDO KAC / Carl Solway / Carl Sutter / Ted Krueger / Nina Sobell / Norman White / Tom Shannon / Olga Ihnatowicz / Chico MacMurtrie / Shuya Abe / Jeff Wiegley / Fritz Lang / /
Position
Courtesythe artist / Blade Runner / artist / artist and writer / first artist / professor of art / assistant professor of art / /
Foundation and Development of Robotic Art Author(s): Eduardo Kac Source: Art Journal, Vol. 56, No. 3, Digital Reflections: The Dialogue of Art and Technology (Autumn, 1997), pp[removed]Published by: College Art Associatio