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Technical communication / British people / Usability inspection / Alan Turing / Philosophy of artificial intelligence / Turing test / User interface / Usability / Interaction design / Human–computer interaction / Human–computer interaction / Artificial intelligence


Evaluation of live human-computer music-making: quantitative and qualitative approaches D. Stowell ∗ , A. Robertson, N. Bryan-Kinns, M. D. Plumbley Centre for Digital Music, School of Electronic Engineering and Compute
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Document Date: 2009-10-06 04:47:04


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City

London / /

Company

General Instrument / Ericsson / Digital Music / /

Country

United Kingdom / /

Currency

GBP / /

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EntertainmentAwardEvent

Emmy / /

Facility

Queen Mary University of London / /

IndustryTerm

music production software / similar systems / composition tool / musical systems / software version / numerical comparisons between systems / music processing / algorithmic composition algorithms / live musical systems / interactive music systems / i.e. tools / music-making using interactive systems / interactive musical systems / /

Organization

Centre for Digital Music / School of Electronic Engineering and Computer Science / Free association / University of London / /

Person

David Cope / Albert van Veenendaal / N. Bryan-Kinns / /

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Position

Queen / Composer / drummer / researcher / system and jazz pianist / representative / analyst / musician / Participant General / judge / independent observer / controller / Corresponding author / live drummer / /

Product

Turing Test / /

Technology

artificial intelligence / algorithmic composition algorithms / Emmy algorithm / /

URL

http /

SocialTag