Madrid / Fukuoka / Osaka / Hiroshima City / Paris / Stockholm / Tokyo / Kyoto / Baghdad / New Tokyo / Rochester / Stettin / and glass / HIROSHIMA / Bruxelles / Canberra / Berlin / Seoul / /
Company
8MM FILMS / NARROW GAUGE FILMS / Toei / IMAGICA Corp. / ACE / HAND COLOUR SOUND FILMS / Christie Digital Systems USA Inc. / Kodak Japan Ltd. / Pia Corporation / Tokyo Mitsubishi UFJ Bank / Mitsukoshi / FIAF / Nac Image Technology Inc. / Sony Marketing (Japan) Inc. / Obayashi / Takahashi Photo Film Laboratory / The Asahi Shimbun Company / Natsuki Matsumoto / Agency for Cultural Affairs / Visual Communications Inc. / Yaesu Fujiya Hotel / Fuji Film Company / IMAGICA West Corp. / Kikuchi Science Laboratory Inc. / RECYCLED MOTION PICTURE FILMS / Yamano Music / Fuji Film Co. Ltd. / Dai Nippon Printing Co. Ltd. / FedEx / Sony Corporation / U-Link Co. Ltd. / Starbucks / /
Continent
America / Europe / Antarctica / Africa / Asia / /
Country
France / Japan / KOREA / United Kingdom / Germany / Belgique / Mexico / Russia / United States / /
Currency
JPY / /
Event
Business Partnership / Environmental Issue / Reorganization / /
Facility
Kamata Studio / Taishogun Studio / GALLERY pSightseeingP Ueno An / Tokyo National Museum Gallery of Horyuji Treasures NFC / The National Museum of Modern Art / Horyuji Temple / JCII Camera Museum / From JR Tokyo Station / Tokyo Municipal Subway / Tokyo Station / University of California Los Angeles / Ueno Station / International Airport / NATIONAL FILM CENTER / Osaka University of Arts / From Tokyo Metro Kyobashi Station / NFC building / The Museum of Kyoto / JR Hamamatsucho Station / JR Tokyo Station / Omuro Studio / Waseda University / Basement Floor / Kyobashi Station / CINEMA ARTIFACTS / Wintergarten vaudeville theatre / Ashigara Factory / Takaracho Station / From Tokyo Municipal Subway Takaracho Station / Ofuji Studio / Yurakucho Mullion Building / Museum of Kyoto / Ritsumeikan University / Hotel Monterey Ginza / NFC Headquarters / MindP National Film Center / Peace Center / Audio-visual Library / Egbert Koppe FROM FLIP-BOOK TO CINEMA / CINEMA AND THEIR INTERACTION WITH FILM TECHNOLOGY The / Danish Film Institute / Kawasaki City Museum / Keio Presso Inn / Kyoto Studio / Haneda International Airport / Yurakucho Asahi Hall / Tokyo National Museum / / /
IndustryTerm
experimental systems / digital technology / ready-made industrial products / copyright law / similar products / Projection equipment / workable systems / food / advertising purposes / cinema technology / frame device / web-based indexing functions / photo-chemical side / optical printing machine / manufacturing / photographic systems / film technology / cinema equipment / film stock manufacturers / classic photochemical and digital processing techniques / colour systems / main hotel / printing / made new products / Cinema machinery / early projection equipment / sound systems / brief presentations / image technologies / technology evolution / /
NaturalFeature
Roppongi Hills / /
Organization
General Assembly / German Federal Archive’s film department / International Federation of Film Archives in Tokyo / Waseda University / Tokyo / Ritsumeikan University / Osaka University / FIAF Technical Commission / Peace Center / Film Preservation Society / European Union / United Nations Educational Scientific and Cultural Organization / Danish Film Institute / pEmergency Phone NumbersP Police / Ritsumeikan University Art Research Center / Executive Committee / Documentation Commission / Japan Society for the Promotion of Science / Congress / NFC Sagamihara Annex General Assembly / Collections Commission / NATIONAL FILM CENTER / Japan Society for the Promotion / Technical Commission / University of California Los Angeles / Center of Studies and Research of Cinévolution in Belgium / /
Person
Paolo Cherchi Usai / Nobuyoshi Araki / Karl Griep / Laurent Mannoni / Theodore Brown / Yuko Tanaka / Hung Yuen / Tony Rayns / Henry W. Joy / Patrick Loughney / Max Skladanowsky / Richard Attenborough / Ayako Shiba / Thomas C. Christensen / Rosario López de Prado / Eric Le Roy / Tetsuo Tsujimura / Jean-Pierre Verscheure / Takayuki Oguchi / Kon Ichikawa / Toshio Matsumoto / Victor Fleming / Shin Riken Eiga / Camille Blot-Wellens / Charles Urban / Fumio Yamagata / Genichiro Higuchi / Midori Sawato / Noburo Ofuji / Torajiro Saito / Emil / Yasujiro Ozu / Hiroshi Teshigahara / Eric Le Roy Paul Read / Alexander Korda / Paolo Caneppele / Christian Dimitriu / Yoshiyuki Yahiro / Ray Edmondson / Mamoru Oshii / Ken Akimoto / Antti Alanen / Daisuke Ito / Maria Adriana Prolo / Iwao Ashida / Robert Wise / William Wyler / John Waters / Michael Anderson / Erkki Huhtamo / Hisashi Okajima / Yuji Takahashi / Tamotsu Takata / Ayako Shiba Donata Pesenti Campagnoni / Fumiaki Itakura / Eva Orbanz / Teinosuke Kinugasa / Gabrielle Claes / Akira Tochigi / Mina Talkie / Francisco Gaytán Fernández / Masao Yabe / Vladimir Opela / Yoshiro Irie / Makiko Suzuki / Dickson Violin / Stefan Drössler / Bois d’Arcy / Shiko Niimura / Genjiro Kobayashi / Orson Welles / Machiko Kusahara / Kenzo Masaoka / Nancy Goldman / Nikolaus Wostry / / /
Position
President / Senior Administrator / TECHNOLOGIST / representative / Chief Curator / avant-garde composer and player / Princess / INTERPRETER / 555w driver / Director / photographer / /
NEWSLETTER 3 63rd FIAF Congress DEAR FIAF COLLEAGUES: Less than one month to the opening of the congress, we are around the fourth corner of the track, whipping ourselves on into the homestretch in order