Bilbao / Jeddah / Guiyang / Helsinki / Leicester / Birmingham / Zagreb / Paris / Victoria / Almere / London / Abu Dhabi / /
Company
House / FOA / Gehry Technologies / /
Country
Japan / Korea / United Kingdom / / /
Facility
Munich Olympic stadium / Pompidiou Museum / Polish double-façade pavilion / Hazely Golf club / Bilbao Guggenheim Museum / Bilbao museum / Albert Museum / Brighton’s Fabrica Gallery / Fabric Tower / Jeddah’s International Airport / Meuron’s Beijng Olympic stadium / Stuttgart Institute of Lightweight Structures / Jean Boudain stadium / /
IndustryTerm
laser cutting technologies / century metal working / steel mesh lace design / steel construction modules / quasi-living systems / 3D printing techniques / mixed media / design technologies / software skills / metal string / food industry / /
Organization
Stuttgart Institute of Lightweight Structures / US Federal Reserve / /
Person
Kirsten Hannema / Frei Otto / Lesley Millar / Elena Manferdini / Machiko Agano / Frank Gehry / Jean Nouvel / Farshid Moussavi / Shigeru Ban / Helena Hietanen / Thomas Herzog / Rob Veening / Greg Lynn / Anniken Amundsen / Alejandro Zaera Polo / Mikko Heikkinen / Glenn Howells / Rudy / John Lewis / Oliver Lowenstein / / /
Position
textile sculptor / architect / engineer / designer / sculptor / artist / architect and designer / brothers architect / light artist and sculptor / remarkable architect / /
Architecture’s Textural Space: Textiles and Architecture essay for the Lost in Lace exhibition By Oliver Lowenstein[removed][removed]removed] Cliché or otherwise, architectural design has been and