New York / Cambridge / Beijing / Breda / London / /
Company
MIT Press / Yale University Press / Westview Press / Vincent Van Gogh / Meishu / New Analyst Group / Stanford University Press / /
Continent
Africa / Asia / /
Country
Taiwan / Netherlands / France / Soviet Union / China / /
Event
Man-Made Disaster / /
Facility
Arario Gallery / Hanart TZ gallery / Queens Museum of Art / Studio International / /
IndustryTerm
resultant media / heuristic device / e-flux / /
Organization
Fundament Foundation / MIT / New Wave / Yale University / Opening and Reform / Stanford University / /
Person
Sigmund Freud / Michael Newman / Fei Dawei / Ellen H. Johnson / Lydia Liu / Luis Camnitzer / Huang Yong Ping / Wang Lin / Craig Clunas / Jon Bird / Wang Guangyi / Sol Lewitt / Gao Minglu / Marcel Duchamp / Xu Bing / Heidi van Mierlo / Marianne Brouwer / Joseph Kosuth / Peggy Wang After / Chris Driessen / Robert Rauschenberg / Rachel Weiss / Wenda Gu / Paulo Biennial / Catherine King / Li Xianting / Peggy Wang Making / Jane Farver / Van Wyck Brooks / D.T. Suzuki / Terry Smith / /
Position
art historian / independent curator / author / art critic / /
Making and remaking history: categorising ‘conceptual art’ in contemporary Chinese art Peggy Wang After contemporary Chinese art leapt off the canvas in the 1980s, the succeeding decade witnessed the maturation of nu