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Kathryn Bigelow / Sylvère Lotringer / Point Break / Bigelow / Mark Boal / Jacques Lacan / Semiotext / Cinema of the United States / Films / The Hurt Locker


Bigelow, center, on the set of The Hurt Locker. Screenwriter Mark Boal is at far left. The visceral cinema of Kathryn Bigelow ’79SOA has heady theoretical roots.
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Document Date: 2010-03-03 13:43:03


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File Size: 1,26 MB

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