San Francisco / Amman / Baghdad / New York City / New York / Kansas City / Algiers / /
Company
the New York Times / Voltage Pictures / /
Continent
America / Europe / /
Country
France / United Kingdom / Iraq / Jordan / United States / Columbia / Morocco / /
EntertainmentAwardEvent
the Oscars / Oscar / /
Event
Movie Release / Person Travel / /
Facility
Grand Canal / San Francisco Art Institute / Beverly Hills Hotel / Madaba Refugee Camp / cinema of Kathryn Bigelow / /
IndustryTerm
intense cerebral energy / metal / disarmament protocol / rubber / bank-robbing surfers / bank vault / junked car / steel-plated bomb suit / /
Movie
Near Dark / The Set-Up / The Magnificent Ambersons / The Loveless / The Battle of Algiers / The Hurt Locker / Strange Days / /
Organization
Explosive Ordnance Disposal / United States Army / San Francisco Art Institute / Federal Bureau of Investigation / Graduate school / United Nations / /
Person
Sylvère Lotringer / Lawrence Weiner / John Cage / Andrew Sarris / Susan Sontag / Richard Foreman / Edward Said / Douglas Sirk / Barry Ackroyd / Now Thompson / Mark Boal / Félix Guattari / Kathryn Bigelow / Nicolas Chartier / Gilles Deleuze / Foucault / Jeremy Renner / Willem Dafoe / Jacques Lacan / William James / William Burroughs / Marshall Blonsky / Chris Hedges / Jean-François Lyotard / Milos Forman / Orson Welles / /
Position
butcher / director of The Hurt Locker / Staff Sergeant / head / aging quarterback / actress / leader / a high priest / quarterback / professor / Sergeant / Screenwriter / abstract painter / poet / leader / artist / head of the film department / waiter / correspondent / journalist / film critic / writer / giddy colonel / first professor in the United States / bomb dismantler Staff Sergeant / young abstract painter / Foreman / /
ProvinceOrState
Southern California / California / /
PublishedMedium
the New York Times / /
Region
Middle East / North Africa / Southern California / northern California / /
Bigelow, center, on the set of The Hurt Locker. Screenwriter Mark Boal is at far left. The visceral cinema of Kathryn Bigelow ’79SOA has heady theoretical roots.