electronic media / cybernetic technologies / sociocultural machinery / telephony / car accident / symbolic network / electric technology / fragmentary and mechanical technologies / media technology / capitalist media technologies / internal machinery / electric technologies / media ecology / hard technology / capitalist technologies / media technologies / /
Movie
Army of Darkness / Darkness / Vanilla Sky / /
MusicAlbum
The Mechanical Bride / /
Organization
Jennifer Government / /
Person
David Cook / Rudy Rucker / Oliver North / Sam Raimi / John Shirley / Jean-Luc Goddard / Marshall McLuhan / Jacques Lacan / William S. Burroughs / Samuel R. Delany / Scott Bukatman / Max Barry / Arthur Rimbaud / Lou Reed / Jeff Noon / Bruce Sterling / Harlan Ellison / Greg Egan / Donna Haraway / Neal Stephenson / Madonna / Warren Ellis / J.G. Ballard / Sean Homer / Michael Crichton / Ash / François Truffaut / Steve Aylett / Arnold Schwarzenegger / Lewis Shiner / D. Harlan Wilson / Arthur Kroker / Larry McCaffery / Pat Cadigan / Frederic Jameson / Michel Foucault / Cameron Crowe / William Gibson / Philip K. Dick / D. Harlan Wilson After / Michael Moorcock / Steve Beard / /
Position
publishing executive / representative / department store clerk / /
Technology
media technologies / high media technologies / high technologies / technology of culture / CGI / fragmentary and mechanical technologies / artificial intelligence / capitalist media technologies / media technology / technology of film / simulation / cybernetic technologies / /
Introduction On the exhausted subject of Frederic Jameson’s postmodern theory, Sean Homer writes: The central problem with the cultural logic thesis is that it remains at too high a level of abstraction; on the one han