db_soundingaroom-A4layout-FRONT

First Page		Document Content
Date: 2013-06-22 07:54:55 IRCAM Tristan Murail Lalo Schifrin Noise Music Classical music Lindsay Vickery		db_soundingaroom-A4layout-FRONT Add to Reading List Source URL: www.decibelnewmusic.com Download Document from Source Website File Size: 2,39 MB Share Document on Facebook

	The Problem of Objectivity and the Artistic Conception of the Participant Observer: thoughts on using Lacan’s psychological model of representation in the documentation of creative arts practice as research of the rese DocID: 156XJ - View Document
	The Aesthetics of the Screen-Score Cat Hope and Lindsay Vickery Western Australian Academy of Performing Arts, Edith Cowan University (of a traditional score), explorative (of a “mobile score”) or ‘Immanent’ in t DocID: 1555g - View Document
	Western Electric: a survey of recent Western Australian Electronic Music a range of New Music and Experimental music genres, publications on the work of Australian composers and Sound Artists is relatively poorly documen DocID: 152vz - View Document
	New digital interactions with John Cage’s Variations IV, V and VI Cat Hope, Stuart James and Lindsay Vickery. Western Australian Academy of Performing Arts, Edith Cowan University Transparent plastic sheets are provide DocID: 152pJ - View Document
	Digital adaptions of the scores for Cage Variations I, II and III Lindsay Vickery, Cat Hope, and Stuart James Western Australian Academy of Performing Arts, Edith Cowan University Over the ten years from 1958 to 1967, Ca DocID: 152j2 - View Document