Tonality

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31

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Source URL: www.psy.mq.edu.au

Language: English - Date: 2012-10-02 18:53:11
32

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Source URL: www.psy.mq.edu.au

Language: English - Date: 2012-10-02 18:53:12
33

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Source URL: www.rovicorp.com

Language: English - Date: 2014-07-30 21:20:56
34Good Ole Country Track by David Wallimann | Key of A This track features an intro, an A section, a B section, and an outro. The intro section establishes the A major tonality by applying the tonic A chord and a chromatic

Good Ole Country Track by David Wallimann | Key of A This track features an intro, an A section, a B section, and an outro. The intro section establishes the A major tonality by applying the tonic A chord and a chromatic

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Source URL: www-ecs.jamplay.com

Language: English - Date: 2015-04-02 20:25:36
35Microsoft Word - 02_Temperley_final030608.doc

Microsoft Word - 02_Temperley_final030608.doc

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Source URL: www.ccarh.org

Language: English - Date: 2008-06-12 17:04:55
36The past 15 years have seen a rapid increase in the number of published studies examining various facets of music perception an

The past 15 years have seen a rapid increase in the number of published studies examining various facets of music perception an

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Source URL: www.ccarh.org

Language: English - Date: 2008-05-21 11:52:59
37VISUALIZATION OF TONAL CONTENT WITH A SELF-ORGANIZING MAP

VISUALIZATION OF TONAL CONTENT WITH A SELF-ORGANIZING MAP

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Source URL: www.ccarh.org

Language: English - Date: 2008-05-22 14:49:15
38Microsoft Word - 05_Purwins_revEC5_altrevesf2.doc

Microsoft Word - 05_Purwins_revEC5_altrevesf2.doc

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Source URL: www.ccarh.org

Language: English - Date: 2008-05-21 11:53:00
39Form in 20th Century Music  James Tenney, An edited version of this text was published in the Dictionary of Contemporary Music inWhat follows is my original version.

Form in 20th Century Music James Tenney, An edited version of this text was published in the Dictionary of Contemporary Music inWhat follows is my original version.

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Source URL: www.plainsound.org

Language: English - Date: 2007-02-17 16:39:40
40Perception & Psychophysics 1993, 53 (1), 13-24 Modeling perceived relationships between melody, harmony, and key WILLIAM FORDE THOMPSON

Perception & Psychophysics 1993, 53 (1), 13-24 Modeling perceived relationships between melody, harmony, and key WILLIAM FORDE THOMPSON

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Source URL: www.psy.mq.edu.au

Language: English - Date: 2012-10-02 18:53:16