Tonality

Results: 164



#Item
61Pre K (MU:Cr1.1.PK) 1st (MU:Cr1.1.1)

Pre K (MU:Cr1.1.PK) 1st (MU:Cr1.1.1)

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Source URL: www.nationalartsstandards.org

Language: English - Date: 2014-10-02 12:53:44
62N.B. The following material © Alan Belkin, [removed]It may not be quoted or used without the giving full credit to the author. Although the material is copyrighted, it may be used free of charge, provided the authorsh

N.B. The following material © Alan Belkin, [removed]It may not be quoted or used without the giving full credit to the author. Although the material is copyrighted, it may be used free of charge, provided the authorsh

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Source URL: www.dolmetsch.com

Language: English - Date: 2005-08-02 14:22:10
63journal of interdisciplinary music studies fall 2011, volume 5, issue 2, art. #[removed], pp[removed]Consonance and dissonance in music theory and psychology: Disentangling dissonant dichotomies Richard Parncutt1 and Gra

journal of interdisciplinary music studies fall 2011, volume 5, issue 2, art. #[removed], pp[removed]Consonance and dissonance in music theory and psychology: Disentangling dissonant dichotomies Richard Parncutt1 and Gra

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Source URL: www.uni-graz.at

Language: English - Date: 2012-04-05 08:52:04
64O Venezia: Texts, Rhetoric and Compositional Process in a Post-atonal Tonal Context Graham Hair [The author would like to acknowledge with thanks a Research Grant from the Arts and Humanities Board of the United Kingdom,

O Venezia: Texts, Rhetoric and Compositional Process in a Post-atonal Tonal Context Graham Hair [The author would like to acknowledge with thanks a Research Grant from the Arts and Humanities Board of the United Kingdom,

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Source URL: www.n-ism.org

Language: English - Date: 2008-04-06 17:01:51
65What is Referential (‘Motivic’) Tonality, and How Does It Differ from Functional Tonality ? Graham Hair [The author would like to acknowledge with thanks a Research Grant from the Arts and Humanities Board of the Uni

What is Referential (‘Motivic’) Tonality, and How Does It Differ from Functional Tonality ? Graham Hair [The author would like to acknowledge with thanks a Research Grant from the Arts and Humanities Board of the Uni

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Source URL: www.n-ism.org

Language: English - Date: 2008-05-03 13:34:44
66Year 9/10 Recording Artist TERM ONE Week Content 1-3 History of recording

Year 9/10 Recording Artist TERM ONE Week Content 1-3 History of recording

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Source URL: www.mundaringcc.wa.edu.au

Language: English
67Microsoft Word - ImpromptuTurtleGraphicsFinal.doc

Microsoft Word - ImpromptuTurtleGraphicsFinal.doc

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Source URL: staff.itee.uq.edu.au

Language: English - Date: 2014-01-23 23:56:51
68Musical Questions for Mathematicians Tom Johnson A text presented for participants of the MaMuX seminar at IRCAM, Nov. 20, 2004  As a composer working with mathematical structures and deterministic

Musical Questions for Mathematicians Tom Johnson A text presented for participants of the MaMuX seminar at IRCAM, Nov. 20, 2004 As a composer working with mathematical structures and deterministic

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Source URL: www.editions75.com

Language: English - Date: 2006-10-14 10:27:04
69S026114301000067Xjra[removed]

S026114301000067Xjra[removed]

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Source URL: theory.esm.rochester.edu

Language: English - Date: 2011-01-26 08:52:31
70Revisiting ‘Simplicity and Richness’: Postmodernism after ‘The New Complexity’ Graham Hair [The author would like to acknowledge with thanks a Research Grant from the Arts and Humanities Board of the United Kingd

Revisiting ‘Simplicity and Richness’: Postmodernism after ‘The New Complexity’ Graham Hair [The author would like to acknowledge with thanks a Research Grant from the Arts and Humanities Board of the United Kingd

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Source URL: www.n-ism.org

Language: English - Date: 2008-05-04 13:01:14