Session / Berne / Paris / Stockholm / Philadelphia / Berlin / Rome / Vienna / Lisbon / London / Brussels / /
Company
Whitman / Schmidt / New Princeton Review / France Although / /
Continent
Europe / /
Country
Switzerland / Germany / Italy / Belgium / France / Japan / United States / Canada / United Kingdom / Spain / /
IndustryTerm
copyright law / conventional copyright law / multilateral international copyright law / copyright systems / distribution technology / today copyright law / desirable copyright law / /
Organization
Royal Commission on Copyright / BIRPI / House of Representatives / Committee on Patents / German Confederation / Swiss government / World Trade Organization / U.K. government / Senate / Patent Office / Congress / U.S. Congress / United Nations / U.N. Educational / Scientific and Cultural Organization / World Intellectual Property Organization / International Literary Association / /
Person
Sam Ricketson / Charles Poulett Thomson / Akiko Sonoda / Charles Dickens / Henry Clay / William Wordsworth / Washington Irving / Robert Southey / William Dorsheimer / Joseph R. Hawley / Andrew Stephenson / /
Position
Ambassador / Harper / author / the U.S. Ambassador to London / /
ProvinceOrState
Sardinia / /
PublishedMedium
the American Renaissance / the New Princeton Review / /
22 Historical Overview of Formation of International Copyright Agreements in the Process of Development of International Copyright Law from the 1830s to 1960s