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Music theory / Seventh chords / Chord progressions / Chord / Jazz harmony / Secondary dominant / Diatonic function / Borrowed chord / Tritone substitution / Music / Harmony / Chromaticism


Table of Contents PREFACE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
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Document Date: 2009-11-30 08:56:39


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Multitonic Systems / Traditional Music / MODAL SYSTEMS / /

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