San Francisco / Helsinki / Mexico City / New York / Cambridge / Los Angeles / /
Company
MIT Press / Ediciones San Jorge S.A. de C.V. / A-Volve / /
Country
Mexico / Austria / United Kingdom / /
Facility
Interactive Art Erkki Huhtamo University of California / At Whitney Museum / Zocalo Square / Perry Hoberman’s Bar Code Hotel / The Whitney Museum / Museum Jean Tinguely Basel / University of Luton / /
IndustryTerm
digital technology / dedicated software / Internet part / Internet communication / interactive computing / computer technology / mainstream media / state-ofthe-art eye-tracking technology / optical technology / industrial applications / Internet-based projects / foam-rubber breast / media arts / public Internet terminals / interface devices / Internet users / interactive media / /
Organization
Publications Department / University of California / Finnish Fund for Art Exchange / MIT / National Council for Culture and the Arts / Banff Center for the Arts / MacDonald Stewart Art Centre / Interactive Art Erkki Huhtamo University / University of Luton / /
Person
Jean Tinguely / Frederick Kiesler / Ken Feingold / Heidi Kumao / Jeffrey Goldstein / Hiroshi Ishii / Laurent Mignonneau / Ken Rinaldo / Bernie Lubell / Scott deLahunta / Nam June Paik / Peter Higgins / Tomoe Moriyama / Gerfried Stocker / David Rokeby / Agnes Hegedues / Christine Schöpf / Myron Krueger / John Libbey / Harold Cohen / Osman Khan / Daniel Sauter / Jeffrey Shaw / Paul Sermon / Marcel Duchamp / Ellen Zweig / Toshio Iwai / Mike Naimark / Pierre de Toucher / Thomas Wilfred / Elaine Ng / George Braziller / Zachary Lieberman / Dirk Lüsebrink / Levin / Lynn Hershman / Pierre Lévi / Ted Nelson / Rafael Lozano-Hemmer / Anne McPherson / Mark Hansen / Christa Sommerer / Hannes Leopoldseder / Nicholas Negroponte / Jack Burnham / Étienne-Jules Marey / Luc Courchesne / Alan Kay / Joachim Sauter / Ben Rubin / Debarah Esch / /
Trouble at the Interface, or the Identity Crisis of Interactive Art Erkki Huhtamo University of California Los Angeles I encountered - “hands-on” - an emerging phenomenon called “interactive art” on my very first