Madrid / San Francisco / Moscow / New York / Berlin / Copenhagen / Lisbon / London / /
Company
Yale University Press / Potemkin Press / Blaue Reiter Group / Annette Michelson / /
Continent
America / Europe / /
Country
Germany / /
Currency
USD / / /
Event
Movie Release / Person Travel / Person Communication and Meetings / /
Facility
Russian cinema / Hollywood cinema / The Museum of Modern Art / basement of Hugo Hiring's / The Museum of Modern Art/ Licensed / Institute of ArtisticCulture / Guggenheim Museum / Soviet FilmandTelevision Cinema / Soviet cinema / /
IndustryTerm
media purity / oil / art journal by-products / didactic teaching tools / constant search / information technology / /
Movie
AndVisages AreVictorious on the Screen / And Visages Are Victorious on the Screen / /
Organization
Columbia University / Association of RevolutionaryCinematography / Suprematism / College Art Association / Yale University / Institute of ArtisticCulture / US Federal Reserve / Art Association / /
Person
YA K S SF UR / Yves Klein / Sol LeWitt / Walter Gropius / Suprematism / Sergei Gerasimov / Sergei Eisenstein / Ilya Kabakov / Allan McCollum / Hans Richter / Robert Rauschenberg / Vsevolod Meyerhold / Margarita Tupitsyn / Miriam Hansen / Melamid / Alexander Deineka / Kent Mitchell Minturn Oksana Bulgakowa / Mabuse / Kazimir Malevich / Benjamin Buchloh / Arnold Eagle / Mel Ramdsen / /
Position
teleological model / documentary photographer / scholar and founding editor / Harper / film historian / Author / Artist / director / great director / member / /
Review: Seeing Malevich, Cinematically Author(s): Kent Mitchell Minturn Source: Art Journal, Vol. 63, No. 4 (Winter, 2004), pp[removed]Published by: College Art Association Stable URL: http://www.jstor.org/stable[removed]