Owingen / Bilbao / Glatter / Pretoria / New York / Paris / Toronto / /
Company
Walt Disney / Los Angelesbased / Los Angeles Times / Manuel Rosales / /
Continent
Africa / /
Country
Germany / South Africa / France / United States / Canada / Spain / / /
Event
Business Partnership / /
Facility
Bunker Hill / State Theatre complex / The Museum of Contemporary Art / Sammy Marks Square / New York Museum of Modern Art / Arata Isozaki’s Museum of Contemporary Art / University of South Africa / John Utzon’s Sydney Opera House / Museum of Contemporary Art / Guggenheim Museum / Great Hall / Walt Disney Concert Hall / University of South Africa E-mail / Berlin Philharmonic Hall / /
IndustryTerm
stainless steel skin / steel surfaces / organ builder / polished stainless steel skin / efficient network / earthquake-proof skeletal steel frame / steel monuments / functional end product / motor car age / sensible solution / /
NaturalFeature
Bunker Hill / Los Angeles River / /
Organization
Daniel G. Geldenhuys Department of Art History / Visual Arts and Musicology / Music Center / University of South Africa E-mail / U.S. Census Bureau / L.A. School of Architects / University of South Africa in Pretoria / /
Person
Manuel Rosales / Microclimatic Impact / Bernard Tschumi / Richard Austin Smith / A. Krista Sykes / Elizabeth Valmont / Peter Eisenman / Daniel Libeskind / Juan Crespi / Marc Schiler / Charles Jencks / Felipe de Neve / Ronchamp Utzon / Gaspar de Portola / Hans Scharoun / Leon Whiteson / Frank O. Gehry / Daniel G. Geldenhuys / /
Empathy as perception in downtown Los Angeles and the Walt Disney Concert Hall as an act of architecture Daniel G. Geldenhuys Department of Art History, Visual Arts and Musicology, University of South Africa E-mail: geld