Ann Arbor / San Francisco / Helsinki / Baltimore / New York / Paris / Washington / D.C. / Venezia / Havana / Washington / Vienna / London / Lincoln / /
Company
Pendragon Press / American Music / Composing Interactive Music / Formalized Music / Cambridge University Press / Playing Music / MIT Press / Johns Hopkins University Press / Live Electronics / New Music / Modern Music / Xenakis’ Duel / Early Music / Oxford University Press / New Musical Resources / Australasian Computer Music / Televisa / International Computer Music / Harvard University Press / University of Nebraska Press / /
Continent
Europe / /
Country
Italy / Finland / /
Facility
Opera Aperta / Goldsmiths College / University Professors / University of Washington Press / /
Cambridge University / Old Dogs Lindsay Vickery Western Australian Academy of Performing Arts / Harvard University / American Society of University Professors / MIT / Johns Hopkins University / Edith Cowan University / Federal Government / Goldsmiths College / London / Walter Chapin Centre for the Humanities / University of Nebraska / University of Washington Press / Oxford University / Charles Ives Symphony / /
Person
Open Form / Leah Barclay / Iannis Xenakis / Earle Brown / Simon Emmerson / Kohl / Bruno Maderna / Myron Krueger / Karlheinz Stockhausen / Theodore Nelson / Charles Ives / Henry Cowell / John Zorn / Roman Haubenstock-Ramati / Duel / Bush / V / Umberto Eco / Peter Handke / Ann Arbor Paperbacks / Marc Battier / Sylvano Bussotti / Emmanuel Ghent / Mauricio Kagel / Raymond Queneau / Morton Feldman / Andre Breton / Alexander Calder / Denis Smalley / Federico Fellini / Gordon Mumma / Philippe Soupault / / /
Position
composer / Producer / engineer / Soap opera producer / author / model / conductor / Writer / /
ProvinceOrState
Maryland / New York / Massachusetts / /
PublishedMedium
Modern Music / The Musical Quarterly / The Musical Times / Perspectives of New Music / /