Liminalities: A Journal of Performance Studies Vol. 10, No. 1, May 2014

First Page		Document Content
Date: 2014-05-08 13:25:47 Theatre Arts Computer art Entertainment Internet art Telematic performance Telematics New media art UpStage Digital art Performing arts Visual arts		Liminalities: A Journal of Performance Studies Vol. 10, No. 1, May 2014 Add to Reading List Source URL: liminalities.net Download Document from Source Website File Size: 2,41 MB Share Document on Facebook

	Peter Eckersall: Telematic objects: towards a dramaturgy of performing screens and machines Projection screens and robotic machines have become increasingly important in live performance, functioning as something more th DocID: 1lVdC - View Document
	Sarah Bay-Cheng: Unseen: Performance Criticism in the Age of Digital Recordings What does it mean to watch a performance on screen? This paper considers a new mode of critical spectatorship as distanced, either telematic DocID: 1l3Vq - View Document
	Theatre, Networked Performance, and Notions of ‘Democratised’ Spectatorship 20 Minute Paper Presentation, Telematic Encounters Panel, 18 June 2015 The potential to cultivate new relationships with spectators has long DocID: 1kCaI - View Document
	Live Art Research The Telematic Dress: Evolving garments and distributed proprioception in streaming media and fashion performance Johannes Birringer and Michèle Danjoux DocID: Qqpj - View Document
	Locative Audio Location-Based Media, an umbrella for Locative Audio, brings composers and sound designer the idea of customizing and associating sonic ideas to a specific geolocation. Mobile technologies, such as the GP DocID: yAhn - View Document