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Bryn Mawr College / Perth Gallery / South Australian Museum / Aboriginal Artists Gallery / University of California Press / Melbourne Gallery / National Gallery of Victoria / New York University / National Gallery of Australia / Oasis Motel / Art Gallery of Victoria / Art Gallery of New South Wales / /
New York University / American Anthropological Association / Journals Division / Comforts Fund / University of California Press / Art Gallery Society / federal government / Bryn Mawr College / /
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Robert Holmes / Vivien Johnson / Geoff Bardon / Daphne Williams / Tim Payungka / Allen Christensen / Jeffrey Schrenk / Roderick Carnegie / Margaret Carnegie / Tim Leura / Richard Kelton / Fred Myers / Johnny Warangkula Tjupurrula / Margaret Preston / Timmy Payungka Tjapangarti / Donald Kahn / Tim Johnson / Frank Norton / John Kluge / Mikhail Bakhtin / Pat Hogan / Andrew Crocker / Douglas Carnegie / Geoffrey Bardon / Bob Menzies / Bob Edwards / Robert Hughes / Alice Springs / Christopher Snee / Fred Williams / Nicholas Thomas / /
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Utah / California / Victoria / New South Wales / /
COLLECTING ABORIGINAL ART IN THE AUSTRALIAN NATION TWO CASE STUDIES FRED R. MYERS How Aboriginal acrylic painting came to be reframed as “high art” is an interesting ethnohistorical question. Scholars have traced the