Moscow / Paris / Munich / of Modern Art / VAGA / New York / Berlin / Cologne / /
Company
Lavinsky / McCrory Corporation / Rodchenko / Sovetskoe / Kraft / Pravda / Anarkhiia / First Working Group / /
Continent
Europe / /
Country
Germany / Russia / /
EntertainmentAwardEvent
Cine / /
Event
Person Travel / Person Communication and Meetings / Judicial Event / /
Facility
Eiffel Tower / Museum of Modern Art / Bauhaus library / Tatlin’s Tower / State Mayakovsky Museum / Berlin Radio Tower / Malevich’s Black Square / opera Victory Over / Black Square / /
IndustryTerm
disseminative tools / photographic device / media infusing life / cinematic energy / abstract energy / away paint / launched magazine / immaterial media / aesthetic systems / plastic processing / paint / utilitarian applications / /
MusicAlbum
Suprematism / /
MusicGroup
So-called Artists / /
Organization
Kestner Society / Artists Rights Society / Force of a Factory Chimney / Rights Society / Judith Rothschild Foundation / /
Person
Osip Brik / Hans Arp / László Moholy-Nagy / Vladimira Maiakovskogo / Franz Roh / Aleksei Gan / Alfred H. Barr / Jr. / Ilya Ehrenburg / Aleksei Kruchenykh / Varvara Stepanova / Roman Jakobson / Naum Gabo / Aleksandr Rodchenko / Ludwig Hilberseimer / Sergei Senkin / George Grosz / Vladimir Mayakovsky / Nikolai Chuzhak / Vladimir Tatlin / Nikolai Khardzhiev / Kazimir Malevich / Anton Lavinsky / Ivan Puni / Vladimir Markov / Lyubov Popova / Jan Tschichold / Albert Renger-Patzsch / Jean Pougny / Viking Eggeling / Lissitzky / Gustav Klutsis / Hans Richter / Philip Johnson / Space Modulator / Sophie Küppers / D. Sviatopolk-Mirskii / Boris Arvatov / Color / Aleksandr Vesnin / /
Position
architect / cofounder / critic and designer / engineer / poet and artist / Critic and collector / Runner and Runner / formalist critic / collector / poet / founding director / artist / productivist critic / engineer / machine / instructor / /
Colorless Field: Notes on the Paths of Modern Photography M a r g a r i ta T u p i t s y n There is something suspicious about painters’ love for photography. All these Ernemann cameras in the hands of Man Ray, Moholy-