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Arts / Relief printing / Art history / Cultures / Print culture / Popular print / Catalogue raisonné / Chapbook / Engraving / Visual arts / Printing / Printmaking


1 Introduction Michael Hunter Printed images were ubiquitous in early modern Britain. Mainly emanating from producers and dealers in London but penetrating throughout the
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Document Date: 2010-05-10 05:00:47

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City

Victoria / Rome / Cologne / /

Company

Historical Journal / /

Continent

Europe / /

Country

Germany / United Kingdom / /

Facility

British Museum / Albert Museum / University of London / /

IndustryTerm

printing / oil painting / searchable online database / metal plate / /

Organization

Society of Jesus / Department of Prints and Drawings / University of London / /

Person

Richard Williams / Alexandra Walsham / Lucas Vosterman / Arthur Hopton / Van Dyck / William M. Ivins / Jr. / Edward Hodnett / Hans Holbein / Foxe / Humphrey Billingsley / Stuart London / Joseph Monteyne / Antony Griffiths / William Faithorne / Ronald Lightbown / Ruth Luborsky / John King / John Downame / John Cosin / Thomas Betteridge / Patrick Collinson / John N. King / Lewis Bayly / Peter Stent / William Dudgale / Malcolm Jones / Tara Hamling / John Dee / Samuel Pepys / Arthur M. Hind / Helen Pierce / John Savage / John Day / John Speed / Lori Anne Ferrell / William Perkins / Adam Bartsch / Elizabeth Ingram / Tessa Watt / Margery Corbett / Robert W. Scribner / Margaret Aston / Roger Dodsworth / Jacques Callot / Abraham Bosse / /

Position

Archbishop / Introduction Michael Hunter / seventeenthcentury dealer / dealer / late seventeenthcentury dealer / /

ProvinceOrState

Victoria / /

PublishedMedium

the Historical Journal / /

Region

continental Europe / /

SocialTag