Oslo / New York / Antwerp / Alexandria / Toronto / Amsterdam / London / Lyon / Hove / Rio de Janeiro / Florence / /
Company
T. Gelbrich / Oil Paint Films / /
Continent
Europe / /
Country
United Kingdom / /
Facility
Art Gallery / The Royal Pavilion / American Institute / Brighton Museum / University of Amsterdam / Stephen’s Chapel / National Gallery / The National Gallery / Royal Pavilion / Museum Objects / /
IndustryTerm
yellow paint layer / metal soaps / paint layer / dark paint / Paint cross-section / embedded paint cross-sections / gas chromatography / oil medium / oil matrix / yellow paint layer containing / paint laye / paint / oil / red leadcontaining paint films / oil paintings / metal soap formation / imaging / paint layers / white-containing paint layers / energy / ground/intermediate paint layers / oil films / paint fragment / linseed oil / green paint / oil paints / aged oil films / paint film / paint surface / paint films / paint sample / chemical changes / metal carboxylates / red lead-containing paint films / paint samples / corrosion-inhibiting paint / paint defects / yellow paint / oil binding medium / /
Movie
Changes / /
Organization
Imaginary Church / Oil and Colour Chemists’ Association / Scientific Department / American Institute for Conservation / An Imaginary Church / University of Amsterdam / German School / Institut Royal / /
Person
Berg Analytical / Leif Einar Plahter / Neill Brett / Teodoer van Baburen / N. Eastaugh / V / Janet Brough / Catherine Higgitt / Francisco Zurbarán / Marika Spring / R.A. Brett / R. Van Grieken / David Saunders / Saints Hippolytus / B. De Silva / L. Carlyle / Serge Poliakoff / Lorenzo Costa / /
Position
artist / painter / Assistant / Artist ’s Assistant / M.J. Plater / /
ProvinceOrState
New York / /
PublishedMedium
Analytical Chemistry / the Technical Bulletin / /
RadioStation
WAAC / /
Technology
X-ray / Spectroscopy / gas chromatography / Electrochemistry / /
Pigment-Medium Interactions in Oil Paint Films Containing Lead-based Pigments During the routine examination of paintings, translucent white lumps or inclusions are often observed in oil paints containing lead-based p