Brazilian art

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1Definitions. (A) Brazilian jiu-jitsu: Also known as

Definitions. (A) Brazilian jiu-jitsu: Also known as "Gracie Jiu-Jitsu", it is a martial art developed in Brazil by the Gracie family during the mid-20th century. Originally based on the

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Source URL: aco.ohio.gov

Language: English - Date: 2018-05-22 12:24:10
    2FOR IMMEDIATE RELEASE  Brazilian Conceptual Artist Valeska Soares to be Featured in Wadsworth Atheneum Museum of Art’s 176th MATRIX Exhibition Hartford, Conn. (Feb. 2, 2017) – Opening this week, the Wadsworth Atheneu

    FOR IMMEDIATE RELEASE Brazilian Conceptual Artist Valeska Soares to be Featured in Wadsworth Atheneum Museum of Art’s 176th MATRIX Exhibition Hartford, Conn. (Feb. 2, 2017) – Opening this week, the Wadsworth Atheneu

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    Source URL: 4eg99614zvx21of7ql3apu8c-wpengine.netdna-ssl.com

    Language: English - Date: 2017-02-02 10:02:02
      3Kino, Carol, “Modern Motifs, With Echoes of Brazil,” The New York Times, October 26, 2008 STANDING in a back exhibition space at James Cohan Gallery in Chelsea, the Brazilian artist Beatriz Milhazes sounded like a ri

      Kino, Carol, “Modern Motifs, With Echoes of Brazil,” The New York Times, October 26, 2008 STANDING in a back exhibition space at James Cohan Gallery in Chelsea, the Brazilian artist Beatriz Milhazes sounded like a ri

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      Source URL: images.jamescohan.com

      Language: English - Date: 2016-03-22 16:04:48
      4Art: www.guilhotinadesign.com  LONDON 2013

      Art: www.guilhotinadesign.com LONDON 2013

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      Source URL: agenciariff.com.br

      Language: English - Date: 2013-07-12 14:20:14
      5Art: www.guilhotinadesign.com  © Gabriel Andrade HIGHLIGHTS

      Art: www.guilhotinadesign.com © Gabriel Andrade HIGHLIGHTS

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      Source URL: agenciariff.com.br

      Language: English - Date: 2013-10-03 14:38:51
      6Child participation in the Brazilian art & entertainment market: a challenge to legal system and public health Sandra Regina Cavalcante, Rodolfo Vilela University of São Paulo, Brazil Introduction: In Brazil, because of

      Child participation in the Brazilian art & entertainment market: a challenge to legal system and public health Sandra Regina Cavalcante, Rodolfo Vilela University of São Paulo, Brazil Introduction: In Brazil, because of

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      Source URL: ergonomics.uq.edu.au

      Language: English - Date: 2015-07-11 01:25:12
        7Fonte:	
  http://www.artdaily.org/index.asp?int_sec=2&int_new=53270	
   	
   	
     Aldrich	
  Contemporary	
  Art	
  Museum	
  presents	
  the	
  work	
  of	
  Brazilian	
  artist	
   Barrão	
  

        Fonte:  http://www.artdaily.org/index.asp?int_sec=2&int_new=53270         Aldrich  Contemporary  Art  Museum  presents  the  work  of  Brazilian  artist   Barrão  

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        Source URL: www.fortesvilaca.com.br

        Language: English - Date: 2012-11-17 09:44:28
          8Media: web Nome: Luiz The Secret to Brazilian Painter Beatriz Milhazes’s International Success Data: 12 de novembro de 2012 Página: http://www.canalcontemporaneo.art.br/e-nformes.php?codigo=3489 Evento: Exposição Lu

          Media: web Nome: Luiz The Secret to Brazilian Painter Beatriz Milhazes’s International Success Data: 12 de novembro de 2012 Página: http://www.canalcontemporaneo.art.br/e-nformes.php?codigo=3489 Evento: Exposição Lu

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          Source URL: www.fortesvilaca.com.br

          Language: English - Date: 2012-12-04 11:48:10
            9Media: web Nome: the 29th São Paulo Bienal Data: December 2010 Página: http://www.artforum.com/inprint/id=26866 Evento: 29ª Bienal de São Paulo Por: Tim Griffin

            Media: web Nome: the 29th São Paulo Bienal Data: December 2010 Página: http://www.artforum.com/inprint/id=26866 Evento: 29ª Bienal de São Paulo Por: Tim Griffin

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            Source URL: www.fortesvilaca.com.br

            Language: English - Date: 2013-06-22 16:42:30
            10‘Mexicobolo’, 2012, Mexican cocobolo and ziricote, 38 x 30 x 30 cm  ‘Fire Conic’, 2008, Brazilian satinwood, African ebony, 61 x 64 x 61 cm Materiality of the Voids THE DECONSTRUCTED FORMS OF BUD LATVEN

            ‘Mexicobolo’, 2012, Mexican cocobolo and ziricote, 38 x 30 x 30 cm ‘Fire Conic’, 2008, Brazilian satinwood, African ebony, 61 x 64 x 61 cm Materiality of the Voids THE DECONSTRUCTED FORMS OF BUD LATVEN

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            Source URL: thomasrileystudio.com

            Language: English - Date: 2013-07-23 12:17:09