Consecutive fifths

Results: 10



#Item
1music theory for musicians and normal people by toby w. rush  Species Counterpoint: Species I “first species” counterpoint is the most rhythmically simple type of counterpoint: both voices have the exact same rhythm.

music theory for musicians and normal people by toby w. rush Species Counterpoint: Species I “first species” counterpoint is the most rhythmically simple type of counterpoint: both voices have the exact same rhythm.

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Source URL: tobyrush.com

Language: English - Date: 2015-01-26 20:42:47
20203partwritinghorizontal

0203partwritinghorizontal

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Source URL: tobyrush.com

Language: English - Date: 2015-01-26 20:42:41
3Linking Your Vocals and Guitar Through Parallel Melodies.ppp

Linking Your Vocals and Guitar Through Parallel Melodies.ppp

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Source URL: www.musesmuse.com

Language: English - Date: 2007-02-18 10:32:44
4music theory for musicians and normal people by toby w. rush  Species Counterpoint: Species I “first species” counterpoint is the most rhythmically simple type of counterpoint: both voices have the exact same rhythm.

music theory for musicians and normal people by toby w. rush Species Counterpoint: Species I “first species” counterpoint is the most rhythmically simple type of counterpoint: both voices have the exact same rhythm.

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Source URL: tobyrush.com

Language: English - Date: 2015-01-26 20:42:37
50203partwritinghorizontal

0203partwritinghorizontal

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Source URL: tobyrush.com

Language: English - Date: 2015-01-26 20:42:23
6music theory for musicians and normal people by toby w. rush  Species Counterpoint: Species I “first species” counterpoint is the most rhythmically simple type of counterpoint: both voices have the exact same rhythm.

music theory for musicians and normal people by toby w. rush Species Counterpoint: Species I “first species” counterpoint is the most rhythmically simple type of counterpoint: both voices have the exact same rhythm.

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Source URL: academic.udayton.edu

Language: English - Date: 2014-10-18 02:08:33
70203partwritinghorizontal

0203partwritinghorizontal

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Source URL: academic.udayton.edu

Language: English - Date: 2014-11-08 22:22:00
8UN(-) RAVELLED, OR THE HIDDEN DRAGON JOHN RAHN

UN(-) RAVELLED, OR THE HIDDEN DRAGON JOHN RAHN

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Source URL: faculty.washington.edu

Language: English - Date: 2007-10-05 14:11:56
9Introduction to Counterpoint Version[removed]Feb 2009 by Michael L. Carroll This little book on counterpoint is designed to provide young composers with a simple introduction to the main techniques of both strict and func

Introduction to Counterpoint Version[removed]Feb 2009 by Michael L. Carroll This little book on counterpoint is designed to provide young composers with a simple introduction to the main techniques of both strict and func

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Source URL: www.musicarroll.com

Language: English - Date: 2009-02-22 21:34:35
10On D. Tymoczko’s critique of Mazzola’s counterpoint theory Octavio Alberto Agust´ın-Aquino

On D. Tymoczko’s critique of Mazzola’s counterpoint theory Octavio Alberto Agust´ın-Aquino

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Source URL: www.encyclospace.org

Language: English - Date: 2011-10-13 13:45:14