Manuel II Palaiologos

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1This is an extract from:  Dumbarton Oaks Papers, No. 57 Symposium on Late Byzantine Thessalonike Editor: Alice-Mary Talbot Published by

This is an extract from: Dumbarton Oaks Papers, No. 57 Symposium on Late Byzantine Thessalonike Editor: Alice-Mary Talbot Published by

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Source URL: www.doaks.org

Language: English - Date: 2012-03-12 21:29:03
2This is an extract from:  Dumbarton Oaks Papers, No. 57 Symposium on Late Byzantine Thessalonike Editor: Alice-Mary Talbot Published by

This is an extract from: Dumbarton Oaks Papers, No. 57 Symposium on Late Byzantine Thessalonike Editor: Alice-Mary Talbot Published by

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Source URL: www.doaks.org

Language: English - Date: 2012-03-12 21:29:06
3This is an extract from:  Dumbarton Oaks Papers, No. 57 Symposium on Late Byzantine Thessalonike Editor: Alice-Mary Talbot Published by

This is an extract from: Dumbarton Oaks Papers, No. 57 Symposium on Late Byzantine Thessalonike Editor: Alice-Mary Talbot Published by

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Source URL: www.doaks.org

Language: English - Date: 2012-03-12 21:29:04
4Microsoft Word - 2nd Year Ransohoff Essay.docx

Microsoft Word - 2nd Year Ransohoff Essay.docx

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Source URL: www.lib.uchicago.edu

Language: English - Date: 2010-06-01 11:01:01
5THEATRON  Byzantine authors write about performance of rhetorical pieces in terms of a ‗theatron‘. This does not mean ‗theatre‘ in the classical sense; indeed many Byzantinists would deny energetically that ther

THEATRON Byzantine authors write about performance of rhetorical pieces in terms of a ‗theatron‘. This does not mean ‗theatre‘ in the classical sense; indeed many Byzantinists would deny energetically that ther

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Source URL: www.doaks.org

Language: English - Date: 2013-04-05 14:21:45
6This is an extract from:  Dumbarton Oaks Papers, No. 57

This is an extract from: Dumbarton Oaks Papers, No. 57

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Source URL: www.doaks.org

Language: English - Date: 2012-03-12 21:28:55