IMPROVING THE EFFICIENCY OF OPEN SOUND CONTROL WITH COMPRESSED ADDRESS STRINGS Jari Kleimola Department of Signal Processing and Acoustics Aalto University School of Electrical Engineering Espoo, Finland

Source URL: smcnetwork.org

Q: A Functional Programming Language for Q: A Functional Programming Language Multimedia Applications

Source URL: lac.zkm.de

• Software engineering
• Computing
• Computer programming
• Functional languages
• Q
• SQR
• MIDI
• Functional programming
• Anonymous function
• Open Sound Control
• Futures and promises
• Pure

Simplified Expressive Mobile Development with NexusUI, NexusUp and NexusDrop Ben Taylor Louisiana State University 1065 Digital Media Center

Source URL: www.allisonic.com

• Software
• Computing
• User interface techniques
• Software architecture
• Smartphones
• Human communication
• User interface
• Virtual reality
• Interface Builder
• JavaScript
• Web browser
• Open Sound Control

MXWendler OSC Interface Description Version, valid for builds > VersionThis document describes the MXwendler (MXW) OSC Command Interface. You will learn how to control MXwendler through the OSC

Source URL: download.mxwendler.net

• MXW Pro Wrestling
• MIDI
• Preload
• Open Sound Control
• THE multiprogramming system

SOUND ELEMENT SPATIALIZER Ryan McGee, Matthew Wright Media Arts and Technology University of California, Santa Barbara

Source URL: www.lifeorange.com

• Electronic musical instruments
• Surround sound
• Virtual reality
• Sound recording
• Wave field synthesis
• Digital audio workstation
• Ambisonics
• 3D audio effect
• Open Sound Control
• Spatial music
• Music sequencer
• Audio mixing

SVG TO OSC TRANSCODING: TOWARDS A PLATFORM FOR NOTATIONAL PRAXIS AND ELECTRONIC PERFORMANCE Rama Gottfried Center for New Music and Audio Technolgies (CNMAT) University of California, Berkeley

Source URL: tenor2015.tenor-conference.org

• Musical notation
• Music software
• Music notation file formats
• Graphics file formats
• Notation
• Open Sound Control
• Scorewriter
• Graphic notation
• Finale
• Dance notation
• Scalable Vector Graphics
• Graphic

Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), Sydney, Australia Musical Exoskeletons: Experiments with a Motion Capture Suit Nick Collins, Chris Kiefer, Zeeshan Patoli, Martin

Source URL: www.educ.dab.uts.edu.au

• Electronic music
• Humancomputer interaction
• Computer music
• New Interfaces for Musical Expression
• Motion capture
• Open Sound Control
• MIDI
• Computer graphics
• Electronic musical instrument
• Synthesizer

BioSync: An Informed Participatory Interface for Audience Dynamics and Audiovisual Content Co-creation using Mobile PPG and EEG Yuan-Yi Fan F.Myles Sciotto

Source URL: mat.ucsb.edu

• Humancomputer interaction
• Neuroscience
• Human communication
• User interface techniques
• Virtual reality
• Computer music
• New Interfaces for Musical Expression
• User interface
• NeuroSky
• Open Sound Control
• Ambient intelligence
• Electroencephalography

SOUND ELEMENT SPATIALIZER Ryan McGee, Matthew Wright Media Arts and Technology University of California, Santa Barbara

Source URL: mat.ucsb.edu

• Electronic musical instruments
• Surround sound
• Virtual reality
• Sound recording
• Wave field synthesis
• Digital audio workstation
• Ambisonics
• 3D audio effect
• Open Sound Control
• Spatial music
• Music sequencer
• Audio mixing

Mobile Controls On-The-Fly: An Abstraction for Distributed NIMEs Charles Roberts Graham Wakefield

Source URL: mat.ucsb.edu

• Software
• Computing
• Graphical user interfaces
• Software synthesizers
• Widget toolkits
• User interface techniques
• Software widget
• Widget
• SuperCollider
• FLUID
• User interface
• Open Sound Control