1![altered subdominant chords altered subdominant chords](https://www.pdfsearch.io/img/ea30971e51fbc9ab50dd72bcdfd060ae.jpg) | Add to Reading ListSource URL: courses.shaffermusic.com- Date: 2015-05-02 12:06:15
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2![altered subdominant chords altered subdominant chords](https://www.pdfsearch.io/img/25b6cdb5945e789daedb91961af428bb.jpg) | Add to Reading ListSource URL: courses.shaffermusic.com- Date: 2015-05-02 12:06:15
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3![M T USIC EACHERS.CO.UK …the internet service for practical musicians. M T USIC EACHERS.CO.UK …the internet service for practical musicians.](https://www.pdfsearch.io/img/44adb212fc3a4efcb6e774fa3ef71a59.jpg) | Add to Reading ListSource URL: www.musicteachers.co.ukLanguage: English - Date: 2008-09-24 15:06:16
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4![from page 145, Sweet Expectations, David Huron, MIT Press, 2006 Table 9.1 Scale tone tonic raised tonic from page 145, Sweet Expectations, David Huron, MIT Press, 2006 Table 9.1 Scale tone tonic raised tonic](https://www.pdfsearch.io/img/ff5d99bb7addc5ad4067a45a7c9a6fce.jpg) | Add to Reading ListSource URL: www.musanim.comLanguage: English - Date: 2007-03-09 12:51:29
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5![music theory for musicians and normal people by toby w. rush Triads Within Tonality now that we’re familiar with how triads work, it’s time to put them music theory for musicians and normal people by toby w. rush Triads Within Tonality now that we’re familiar with how triads work, it’s time to put them](https://www.pdfsearch.io/img/63c51d3bf094292431817b92f4ba472e.jpg) | Add to Reading ListSource URL: tobyrush.comLanguage: English - Date: 2015-01-26 20:42:40
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6![0310secondarysubdominants 0310secondarysubdominants](https://www.pdfsearch.io/img/bcc87ec44a4265cf01b9723546d9cd26.jpg) | Add to Reading ListSource URL: tobyrush.comLanguage: English - Date: 2015-01-26 20:42:46
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7![music theory for musicians and normal people by toby w. rush Secondary Dominants there is a duality at the heart of common practice period harmonic progression. like the ancient conflict of jedi and music theory for musicians and normal people by toby w. rush Secondary Dominants there is a duality at the heart of common practice period harmonic progression. like the ancient conflict of jedi and](https://www.pdfsearch.io/img/92cb913b5056be0d03cc015c020ae9dc.jpg) | Add to Reading ListSource URL: tobyrush.comLanguage: English - Date: 2015-01-26 20:42:44
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8![0310secondarysubdominants 0310secondarysubdominants](https://www.pdfsearch.io/img/a458ecfe57c293d0cc24fd9a11a784da.jpg) | Add to Reading ListSource URL: tobyrush.comLanguage: English - Date: 2015-01-26 20:42:28
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9![music theory for musicians and normal people by toby w. rush Triads Within Tonality now that we’re familiar with how triads work, it’s time to put them music theory for musicians and normal people by toby w. rush Triads Within Tonality now that we’re familiar with how triads work, it’s time to put them](https://www.pdfsearch.io/img/f97ffda9ed90cdeb847f7827e333dcdd.jpg) | Add to Reading ListSource URL: tobyrush.comLanguage: English - Date: 2015-01-26 20:42:22
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10![music theory for musicians and normal people by toby w. rush The Harmonic Cadences A cadence is generally considered to be the last two chords of a phrase, section or piece. music theory for musicians and normal people by toby w. rush The Harmonic Cadences A cadence is generally considered to be the last two chords of a phrase, section or piece.](https://www.pdfsearch.io/img/da62e343fe839041819813dc2cfad796.jpg) | Add to Reading ListSource URL: tobyrush.comLanguage: English - Date: 2015-01-26 20:42:23
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